Ohjaus:
Gina Prince-BythewoodKäsikirjoitus:
Greg RuckaNäyttelijät:
Charlize Theron, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari, Luca Marinelli, Chiwetel Ejiofor, Harry Melling, Veronica Ngo, Natacha Karam (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Neljä kuolematonta soturia on varjellut ihmisiä salaa vuosisatojen ajan, mutta nyt he joutuvat itse kohteeksi kykyjensä vuoksi – löydettyään juuri uuden kuolemattoman. (Netflix)
Arvostelut (12)
With cinemas closed, at least Netflix is spoiling us with higher-budget movies, even if it’s not great, in the current drought is it at least fine entertainment. Charlize Theron leads a group of immortal soldiers who have lived for centuries, but are now threatened with discovery and must do whatever it takes to preserve their identities. The film has pretty decent action, which though not as good as Extraction or 6 Underground, is pretty bloody and a few shots are memorable. There's a twist and the actors do their best. Some might be bothered by the fact that the film is very gender correct and not very clever, but that doesn't bother me that much. The only thing that bothered me was that the flashbacks didn't get more space, as if the film had been set during the Crusades or the time of the witch hunts, the rating would have been very different. I wouldn't mind a sequel. Story***, Action***, Humor>No, Violence***, Entertainment****, Music***, Visual****, Atmosphere***, Suspense***. 6/10. ()
Keskiverto toimintaleffa, jollaisia päällemme syydetään kymmeniä vuosittain. Kyllä tätä nyt mieluummin katsoo kuin vaikka siivoaa, mutta mitään ei kyllä jää mieleen... en siksi osaa edes verrata mihinkään. Hyvä aihe menee hukkaan... ()
If Charlize would kiss the pharmacist who treats her shoulder, this movie’s circle of bizarreness would be closed. The Old Guard is an odd mix of Bram Stoker’s existential motifs, almost parodically overwrought racial, gender and LGBT correctness, and every possible cliché of the action and sci-fi genres, all with excessive focus on the emotions and motivations of the characters, which is sometimes effective and sometimes silly. However, the result is still better and more cohesive than another recent Netflix team/buddy flick…you know, that one by Bay. ()
Quality screenwriters seem to be on strike in Hollywood these days. The good ones must be lazy – or indeed on strike – and the stupid ones are hyperactive and churn out bad scripts. Which are then turned into silly movies. ()
After Extraction, another big budget action movie with a big star. Unfortunately, this time behind the camera is not a former stuntman, but the director of the drama The Secret Life of Bees and the romance Love & Basketball. But enough, I'm not going to make fun of Gina Prince-Bythewood, she ironically deserves to be one of the few to be praised. At least a little. The action scenes aren't all bad, and while they lose out to today's cutting edge, they never turn into a confused mess. Otherwise, however, it's a dud. Although the plot revolves around a bunch of immortals who have been through the centuries, fought in various wars on every continent, and are depressed that all their loved ones have died, none of this is able to sell The Old Guard to the audience. And all the heartfelt outpourings about how they're alone in the world, immortality being a curse and all, get increasingly annoying as the runtime goes on, because there's not much else The Old Guard addresses. Sure, Charlize Theron is cool, and the rest of the team tries their best too, but it doesn't change the fact that more than any of the characters and their fate, I wondered when the curry on the stove would get finished. A minor league spectacle in every way. ()
At first glance Old Guard looked like a totally great action movie but it is quite the opposite. It is totally dumb starting with its premise, dominated by extremely unpleasant Charlize Theron but which has an unexpectedly quite solid fighting scenes. What can I say – Old Guard isn’t Mad Max for Charlize to behave in the same way to achieve a totally different result. ()
Disintegrating, pace-free, dramatic structure, slightly naive in its seriousness... nevertheless, in the second half, the strange cheesy girl's individuality, well-acted characters and solid actions began to draw me into the world so much that I was inclined toward watching the second part. It's a bit like Underworld for intellectuals and is a very long series pilot, which could possibly get going in the second season. ()
Greg Rucka just reels off stories like this, one after the other. The Old Guard has excellent subject matter. The idea has potential, but the product doesn’t fully realize it. The action is fairly solid, but the music-video-style visuals are disappointing and the R&B soundtrack kills every other scene. Charlize looks great with an ax and, if they had focused more on the past, this could have turned out to be exceptionally good movie. As it stands, it is just a reasonably good TV movie that promises a more entertaining sequel. ()
I wonder when Netflix will stop focusing on quantity and start paying more attention to the quality of its film production. I say this as someone who is quite satisfied with the Old Guard and enjoyed all the action in the movie; however, I would also appreciate an emphasis on quality on a global scale. We probably won't see that happen given the avalanche of titles that Netflix churns out every month, and perhaps only a year-long production break would prevent it. Nevertheless, I have come to like Charlize Theron in recent years, even though the times of Italian Job are here and there, and she already has a few crosses to bear, much like the main character. I might appreciate less obvious provocations of homophobia (duo of Marwan "Jafar" Kenzari and Luca Marinelli), which practically must be present in every proper Hollywood flick today, but otherwise it was actually quite nice, and I enjoyed it. Of course, the film is about 30 minutes longer than it should ideally be in the world, but we probably won't get rid of that cotton wool anytime soon. PS: The villains were completely worthless (Harry "Dudley" Melling should pack up immediately), so try to serve up that promised sequel...7.5/10 ()
Another wannabe action flick that trips over its own feet over and over again with a stupid script. The action has decently bloody gore and polished visuals that, while effective, are unfortunately too effective and therefore unrealistic and rather artificial. The screenplay is classically stupid like every other film like it, the film literally oozes with over-the-top racial, political, religious and sexual correctness, and the “trendy hits of today’s cinema” are just too much. Add to that the perpetually pissed off expression of the unlikeable Charlize Theron and a handful of supporting, supplementary actors just for show and we get a beautiful mistake that shouldn't have needed to be made in the first place and no one would have missed. Perhaps the best thing about the film is Dudley Dursey, whose presence can at least amuse while Harry Potter fans. ()
Remarkable and interesting subject, but unfortunately the film lacks elementary briskness. Here, a skilled editor's hand and a clever screenwriter/dramaturge were needed. Endless philosophical conversations in action-packed movies do not excel. It is a great pity. At least I have definitively confirmed that I like the Belgian bad boy Schoenaerts in every role. ()
The trailers didn’t interest me much, and I was quite worried about the story. In the end, the film didn’t turn out very well, in my opinion. Sure, Charlize Theron physically prepared for her role again; I watched a few videos, and it’s clear she dedicated a lot of time to preparation, with choreography that looked decent. However, when the final product turns into an epileptic spectacle during action sequences due to the cameraman and editor, all that effort goes to waste. Truly, the action wasn’t impressive and was weak in every respect. Besides Charlize, there’s no real connection with the other characters; the supporting cast plays a role akin to a fifth wheel. Believe it or not, despite such criticism, the film had a few decent scenes with above-average potential. The main plot setup was well done, but as the film progressed towards its end, the number of questions grew, and the script became a sieve. I don’t even want a sequel; I can vividly imagine that no drastic changes would occur. And the first one simply isn’t good. That’s a FACT. I give it 43%. P.S. The film comes with one of the worst soundtracks in recent times, which further drags it down. ()
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