kaylin

I was expecting the film to be even funnier, but at least the parody scenes are quite good; sometimes you even anticipate which parody scene is coming and which movie it references. For a horror fan, this is enjoyable. The killing here is quite imaginative, and each death is different, but some of the characters can be boring.

I won't lie, I give points here mainly for Penélope Cruz, who shows in all her beauty, which is truly breathtaking. The story is very heart-wrenching, and some political events, with a few exceptions, seem like almost unnecessary backdrop. But thanks to that, the film manages to grab your heart and even bring a tear to your eye.

Or how a modern-day The Godfather might look. The prison environment is captured well here and the razor blade scene will probably haunt my dreams. The execution of the razor blade killings is absolutely brilliant and gruesome. The main actor clicked with me, even though he's an asshole, he has something about him that can make you root for him or at least hope that he'll die later than the others.

M. Night Shyamalan showed in his first film that he was all about telling stories that weren't empty, and that had something to say. Praying with Anger will likely have a lot of what M. Night Shyamalan himself contemplated about himself and his roots. It's not a great statement, but you can tell it's personal.

What I like about this film is that even though it's based on a true story - those photographs are traceable - it doesn't just stick to rationalizing events but maintains that beautiful dose of fantasy that many adults lack. And I would rationalize too, which I regret a bit because imagination is beautiful.

Little Dead Rotting Hood is not a great movie and I'm sure most people who watch it won't like it. However, I quite liked how the creators used a classic fairy tale, which is preserved here, in a slightly bizarre, albeit simple story about chasing wolves through the forest with a supposedly surprising twist. But of course, it's still mainly a B-movie, which I don't consider a total flop, but rather a light underperformance due to mediocre special effects.

Even though society looks at him as a thug, it certainly doesn't mean he has to be a bad father. I feel like this could have been portrayed a bit harsher, and the main character didn't have to be such a softie at first glance, but it works quite well and has emotions, which are conveyed to the audience thanks to the young actress.

Beautiful production design, and nice cinematography, with great performances from Natalie Portman and the intriguing Lily-Rose Depp, but it's all wrapped in such baggage that all the good stuff essentially gets lost. A film with potential, especially creatively, but one that can easily wear you down with its length and drawn-out nothingness that gives you nothing.

An interesting perspective of man and faith. Right from the beginning, a rather sad reality is mentioned, which shapes the entire perspective of the film, and even though you know where it's heading, you feel sorry about it. Faith isn't a bad thing; fanaticism is. Thinking about faith is meritorious, though I still think people can be helped without the Bible and Christianity or any other religion.

I can't help but like the whole idea of this film a lot. It's simply a journey with a camera along the pipeline from Russia to Europe, capturing people and their lives along the way. We can think about how we're different, how we're wealthier, how we're better, but I can't help seeing the same people all the time, just living according to what life gives them.