Sapekhuri

Doors that lead nowhere end up in a place that cannot be reached... The more dialectic of mise-en-scène, camera, and editing the film is, the more crystallized is its higher developmental level in their synthesis: the nudging of the doors in the pre-camera space accompanies the permanent denial of the axis rule duplicating the permanence of the movement of hinges and the cyclicality of editing, which is comparable to the cycle of botanized human life, from which escape is possible only into a wilderness without doors and without flowers. The dew of meaning on the surface of things and people; slow absorption and fast transplantation, without either strategy being able to definitively close the doors or leave them open, as they are, following the example of Magritte's paintings, just an illusory means of movement that only seemingly divides the space. And if there are no boundaries in life, there is no place to reach, because we already got there long ago, and therefore it is not possible to hide from anything - especially not from oneself. (22.11.2021)