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Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his "American Splendor" a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey's true soul mate as they experience the bizarre byproducts of Harvey's cult celebrity stature. (jakelijan virallinen teksti)

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Malarkey 

kaikki käyttäjän arvostelut

englanti Harvey Pekar is not your ordinary human. His unorthodox character made the creators of American Splendor shoot this film about him. Paul Giamatti thus stars in another one of his intellectual roles, in which he is sometimes replaced by Harvey Pekar himself. So sometimes we see Giamatti as Pekar and sometimes Pekar plays himself. This is intertwined with the world of comic books, and you’ll see more nutjobs together than is the norm, which is alright in case of this movie. If you manage to tune to its wavelength, you’ll be definitely satisfied. ()

kaylin 

kaikki käyttäjän arvostelut

englanti Paul Giamatti is such a good actor that you will watch every character he plays because he plays them well. It's also great that Harvey Pekar is part of the film, which only reinforces the interesting cult of personality that has developed around him thanks to the comics. This is what a biopic should be and it is very good. ()

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gudaulin 

kaikki käyttäjän arvostelut

englanti The world of comics doesn't just include the generally known characters and symbols of pop culture, such as superheroes like Batman, Spiderman, or Superman. Although similar titles clearly dominate in terms of volume, there has always been a stream of alternative comics that aimed to reflect the real world and its real problems, representing a non-commercial but nonetheless interesting part of the low-budget comic book production. One of the heroes and symbols of this independent creation is a guy named Harvey Pekar, who is everything but a ladies' idol and a superhero. Instead of fighting villains and monsters, he battles with his anxieties, comfort, bad luck, and unfortunately, also with cancer. The film takes place in a tragicomic setting and has autobiographical traits because the screenplay author actually describes his own life's destinies in it. Rarely can I say that I have such a sense of belonging to a film character because just entering his office gives me a sense of small victory, that there is at least one person on this planet who is a bigger mess than I am. American Splendor is a small film that doesn't offer shocking twists and bombastic effects, but it is deeply human and likable. Overall impression: 75%. ()

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