Hra o královnu
Ohjaus:
Karel SteklýKäsikirjoitus:
Karel SteklýKuvaus:
Rudolf Stahl ml.Sävellys:
Ladislav ŠtaidlNäyttelijät:
Hana Maciuchová, Radoslav Brzobohatý, František Němec, Martin Růžek, Josef Vinklář, Monika Moore, Miloslav Holub, Josef Bláha, Jiří Holý (lisää)Juonikuvaukset(1)
During a first passing meeting of Kunhuta the Hungarian princess (Hana Maciuchová), and Závis of Falkenstejn (Radoslav Brzobohatý) something clicked between both young people. But to due political reasons Kunhuta has to marry the Bohemian king Psemysl Otakar II. (Frantisek Nemec). Both meet again after ten years. The jealous king sends Závis to exile. In the war conflict between Premysl and Rudolph of the Hapsburgs (Martin Ruzek), Závis joins together with a part of the Czech nobility the side of Rudolph. Premysl is in a difficult situation and so Kunhuta visits Závis in disguise and she asks him to help Premysl. (NFA)
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Arvostelut (2)
A big disappointment, so big that I feel like using the famous saying about making a whip out of... you know what. Karel Steklý did not manage to write or film Hra o královnu. The plot not only does what it wants with history, but it is also completely incomprehensible, the set design is rich at first sight, but at second glance the kitschy colorful costumes are particularly striking, and the music by Ladislav Štaidl is not the worst, but it doesn't fit. And then there is the "comic" duo of Václav Sloup and Václav Štekl, who all the time behave like characters from some medieval Švejk, so that in the end one of them actually utters a slightly modified Švejk statement. ... That was truly hell. For other actors and actresses, if they had played the same roles in a good movie, it could have been a top-notch thing. This was just a waste of talent.
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Excuse me? Do you mean to tell me that is a widescreen cinema feature film, a Steklý/Steklý historical dramedy? After all, the man has made many other prior Czech films in two eras... but this is much more like his film A Heaven for Everyone. I suspect that this fiasco returned Hana Maciuchová to television for good because she never had the opportunity to play a leading role in a film again. Playing for Queen is a disaster in every way. The formal aspects and the setting are not worthy of discussion, even though it was very promising in terms of the acting and themes, but the dominant feature is the Štekl/Sloup etude and there is nothing worse to be found in the normalization pseudo-humor.
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