The Girl in the Yellow Jumper

A conversational film in a moving car that quite successfully holds you in anticipation of how it will turn out. A cop, a witness and a random passenger who doesn’t inspire much confidence. However, the first twist, which finally comes after 90% of the runtime, is predictable and the second twist, which concludes the film with a would-be shocking point, is the biggest genre cliché. Furthermore, it is bolted onto the preceding plot in a superficial and nonsensical way. The admiration for Tarantino is likably acknowledged, and not only in the font of the closing credits from Pulp Fiction. (03.12.2022)