Zvjozdy i soldaty
Ohjaus:
Miklós JancsóKuvaus:
Tamás SomlóNäyttelijät:
József Madaras, Jácint Juhász, Sergey Nikonenko, Bolot Bejšenalijev, Nikita Mihalkov, Yevgeniy Karelskikh, Pyotr Savin, Krystyna Mikołajewska (lisää)Juonikuvaukset(1)
The plot of the film takes place in 1918 on Soviet territory and reveals the murderous clashes between Red troops and the overwhelming White guards. The commander of the Hungarian volunteers stationed in the monastery at Ipatyev prepares for the execution of White prisoners, but in a few minutes it is the Whites who begin a terrible man-slaughter over his corpse. It is only a couple of Hungarians, László and his boss István who escape. László carries the news about destruction to the main troops passing a hospital. István and his companions who stuck there are killed by the Whites. There is a tiny Red battalion to revenge this then they march to their death singing the Marseilles. László salutes with his sword on the spot. (jakelijan virallinen teksti)
(lisää)Arvostelut (2)
I get "what the author wanted to say", but unfortunately the message did not touch me in any significant way. On the one hand, the series of events linked by a random sequence of tragic incidents, in which potential heroes suddenly die or disappear from the plot, bravely reflects the fatality and conditionality of human behaviour in difficult life situations and gives an original account of the historical context depicted, but on the other hand, it lacks real human emotion. It is as if Jancsó is so determinedly focused on the layout and planning of the movement on the mise-en-scène (which is really evident in the long shots framed by the fluid camera movement) that he completely neglects to bring the action closer to the viewer to arouse their expectations or concern for the characters. A film can be valuable in terms of meaning, but if it cannot naturalise its meaning in a valuable way, it simply cannot warrant praise.
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The film didn't really captivate me with its story, which is somewhat strange, dragged out, and could be described as a changing of the guards, but it did capture me with individual scenes that are portrayed here really strongly, emotively, and will have an impact on you even if you don't want to give the film a chance. You will feel chills from the dying who sing their own version of the Marseillaise.
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