Ohjaus:
Christoph SchlingensiefKäsikirjoitus:
Oskar RoehlerNäyttelijät:
Udo Kier, Peter Kern, Christoph Schlingensief, Dietrich Kuhlbrodt, Susanne Bredehöft, Wolfgang Grönebaum, Miklós Königer, Joachim Tomaschewsky (lisää)Juonikuvaukset(1)
The art of trash. A totally deranged movie starring iconic Udo Kier as an unhinged gay UN general and Kitten Natividad, the voluptuous vixen of many a Russ Meyer films, as a shameless mother of humanity’s new savior who has a constantly ejaculating vagina on his forehead. After tackling national myths in his loose Germany-trilogy, the controversial German underground filmmaker and leading figure in alternative theater and opera Christoph Schlingensief turned his attention to the phenomenon of United Nations peacekeeping missions, turning their ideological arrogance into a phantasmagoric farce, taking potshots at absolutely all authorities, values and taboos. It is what you might get if Alejandro Jodorowsky took aim at western political and religious power structures and John Waters rewrote his script. Forget incorrectness and enjoy the excess! (The Shockproof Film Festival)
(lisää)Videot (1)
Arvostelut (1)
United Trash is aridiculously absurd and phantasmagorically boisterous mix of messianic epic, cocaine-fuelled soap opera, primitive myth and surrealistic delirium with Dadaist logic, as well as a work lying somewhere between conceptual creative experimentation and loutishly retarded amateurism, which gives the impression of the deformed offspring resulting from an orgy attended by Jean-Luc Godard, Alejandro Jodorowsky, John Waters, Tommy Wiseau and Neil Breen. It is basically a nice film about the messiah, who, instead of the simple and carefree times of the Bible, has the misfortune of being born into the chaotic and meaningless age of UN peace missions, which futilely conceal their absurdity by importing seemingly advanced civilisation into the world of instinct. Schlingensief creates a deliberately overwrought and ridiculous fresco of a world turned on its head, where the saviour has an enormous cunt on his head and his mother is the overaged sexploitation legend Kitten Natividad and his theoretical father is Udo Kier in the role of a gay UN general. Though it would be easy to discard this work as a case of poorly considered amateurism, it is bizarrely captivating in its deliriously recombined perversity and cunning denigration all authorities, from peacekeepers and churches to doctors without (ethical) borders.
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