Finále

It is sad that the best and most interesting part is ultimately the penalty shootout. The camera in the present follows the stars of the day somewhat inconsistently, and while someone like Karol Dobiáš unnecessarily takes up a large space, the most interesting storyline with Masný lacks two scenes with a reveal that would shed more light on his situation. I consider all the vignettes like "Waiting for Hamšík" a complete disaster because although touring Naples may be beautiful to watch, unfortunately I didn't learn anything more than the fact that his idols are beloved in Italy. Combined with the meaningless ramblings of the ungrateful Liverpool lad Martin Škrtel, I would leave the theater almost disappointed, but there is one big BUT. Before the actual screening, there was a pleasant raffle in the hall, and when Antonín Panenka himself drew the main prize of UEFA Champions League commemorative medals for me, I have to be in an excellent mood, even if the film is the worst. Thanks, Tonda. Paľo Korec and Dušan Milko should have a much clearer purpose next time. (12.11.2016)