Past na svědomí (E02)

The problem is the same. Impressive acting moments and moral dilemmas trampled by weary music and dysfunctional dramaturgy, which the motive for collaboration and national disasters seeks to strengthen with the connection with the year 1968, where the series feels even more rigid. Burian on the Radio = one of Javorský's best moments. But a lot of encumbrance besides that. Cutting intercourse and racial expression is, at the end, a cumbersome directing fail. (23.01.2017)

An incredibly tired start and unused generous space that the central fictional couple would deserve only if they experienced something interesting, or at least a little more interesting. Unfortunately, they did not, and so they bored me. Fortunately, the second half or so was great again, because it focused on real people and events, especially the amazing Vlasta Burian of Vladimír Javorský and his colleagues and loved ones. (22.01.2017)