Ohjaus:
Martin FričKäsikirjoitus:
Karel SteklýKuvaus:
Václav HanušSävellys:
Josef StelibskýNäyttelijät:
Oldřich Nový, Ladislav Pešek, Nataša Gollová, Lída Chválová, Theodor Pištěk, Ella Nollová, Raoul Schránil, Jaroslav Marvan, František Filipovský (lisää)Juonikuvaukset(1)
Editor Viktor Bláha is a man with a great imagination. In order to disturb the calm course of life he is capable of dreaming up the most extraordinary lies. He always discloses his "secret" to somebody trustworthy and is delighted to see how it spreads like wildfire. At the wedding of his former schoolmate Ivan Molenda he tells so many fibs about the bridegroom, just for the fun of it, that he causes the newly weds to fall out. But Viktor meets his match in the shape of the bride's friend Polda, whose imagination is every bit as fertile. But his hoaxing starts to bounce back on himself. He claims to be married and is forced to present his wife. He asks his friend Valtera for help. He goes to the family of the newly weds to put right all the lies he has told. Just as he is telling them he is not married, Valtera comes in with his sister whom he presents as Viktor's wife. Polda, however, sees through this and accepts Viktor's proposal of marriage. But nobody comes to their wedding because they think it is just another hoax. (jakelijan virallinen teksti)
(lisää)Arvostelut (1)
Oldřich Nový and Nataša Gollová were clearly in their element, playing such endearing septuagenarians, mystifiers and fantasists under the reliable baton of Martin Frič. I especially like the fact that while in other films the hero, who with the click of a single lying pebble triggers a whole avalanche of lies, eventually makes amends voluntarily or involuntarily, here he does not. Here he finds a person who will let himself be carried along by the avalanche, because it's simply great. Of the cast, apart from the aforementioned, I would like to single out the newlywed Lída Chválová, who, apart from being pretty, also impressed me with her natural, forceful and perhaps one could say contemporary acting - no "oh", "ah", "uh-oh", etc.
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