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Outside a mountain town grappling with a series of abductions and murders, Paul, a reclusive writer, struggles to start what he hopes will be a career-saving screenplay. After a tense encounter at a diner with a drifter named Jack, Paul offers Jack a place to stay - and soon the edgy, demanding Jack muscles his way into Paul's work. As a storm cuts off power to the isolated cabin, the two men begin a jagged game of one-upmanship that will bring at least one tale to an end. (Lionsgate US)

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kaylin 

kaikki käyttäjän arvostelut

englanti Actually, it wasn't bad at all, and the central duo of Banderas and Rhys Meyers appealed to me. They fit well together, especially in the sense of their mismatched dynamic. The finale isn't bad either; there's something unexpected about it, although I won't claim it's outright great. Nevertheless, I believe it's a pretty good way to make a thriller that can be enjoyable. ()

Malarkey 

kaikki käyttäjän arvostelut

englanti Antonio Banderas is playing with a human soul here. Not only is Jonathan Rhys Meyers not playing by the rules but Antonio, as a writer, is clearly dominating here and he apparently doesn’t know what to do with his recently started book. So, he needs to vent his anger a bit and come up with a great ending. It is a pity, though, that what Antonio enjoys, the viewer doesn’t. The recluse writer is a very gratifying topic but with an approach like this, he will, at best, retire. ()

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