Kaikki ovat oikeassa

This film serves as a warning for those who have forgotten how to live after May in the same way they lived during May. At the same time, it is a challenge for those who want to live according to May, even after it, even though they do not yet know what it means. It is because May 1968 was never meant to be the end, but the beginning (similarly to how the events of The Chinese were only the first steps for students discovering revolutionary ideas). Similarly, the story of Him and Her is a movement from the "revolutionary" spring to the gray reality of 1972, where May mainly serves to make one realize what it was all about. It showed the willingness of some to fight for something new, and the willingness of others to maintain the status quo. The disillusionment with the failure of the labor unions, the communist party, and the uncertainty about one's own ideals from May are thus at the beginning of what everyone (in this case, left-wing intellectuals) should realize - it's about finding new content and new forms, outside the framework of the capitalist consumerist system. P.S. The greater responsibility for this film lies more with Gorin than with Godard. (28.02.2013)