Käsikirjoitus:
Dan FogelmanKuvaus:
Andrew DunnNäyttelijät:
Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Lio Tipton, Jonah Bobo, Joey King, Marisa Tomei, Beth Littleford, John Carroll Lynch (lisää)Suoratoistopalvelut (5)
Juonikuvaukset(1)
At fortysomething, straight-laced Cal Weaver (Steve Carell) is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son, Robbie (Jonah Bobo), is crazy about his 17-year-old babysitter, Jessica (Analeigh Tipton), who harbors a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began. (Warner Bros. US)
(lisää)Videot (3)
Arvostelut (11)
Here, the entire plot of Hitch is just a prelude to a multilayered relationship collage combining romantic, comedic and dramatic elements. Though it follows a Hollywood template, it works skillfully with several characters whose love troubles are not completely clichéd and predictable. Thanks to this, and thanks to the casting of Ryan Gosling and Julianne Moore in the roles where you’d expect Adam Sandler and Salma Hayek, the film is not just another bland pot of mush.
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For three quarters of its run I was really thrilled with Crazy, Stupid, Love, but that clichéd happy ending made me lose that feeling very quickly. Carell, Gosling, Moore, et al. are fantastic, I had no problem liking everyone. It’s certainly a very nice film, but if you want to see a truly great one, turn it off after the “meeting in the garden” scene.
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A pleasant film that changes absolutely beautifully over time. I was quite impressed by how many interesting and big names they managed to rope into this movie. Maybe they wanted to shoot it for fun, because I doubt that they could get that much money out of such relationship-centric romantic movie. Anyway, the most amazing thing in the movie was Ryan Gosling. He was changing right before my eyes. First he was a flute player who scored with every girl he looked at, and then he was a boy who fell head over heels in love. And I believed him all that one hundred percent. Without him, the film would’ve definitely been only a half of what it is. But not only without him; Steve Carell is great as well. I just don’t understand why he’s being referred to as a comedian. He hasn’t grabbed my attention as a comedian yet, but he did convince me that he is a good actor. The film itself is about relationships with those we love and also about the fact that sometimes these relationships go into a slightly different direction than we would actually like. It was definitely a nice movie, but watching it once was enough for me.
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Once again, a film full of quality humor and great lines. I don't think anyone in the cast is up to Ryan Gosling’s standard, but Steve Carell shone exceptionally. There are plenty of scenes that made me laugh out loud and a few that made me melt a little. The music was also well chosen. I appreciate films like this in this day and age. The only thing that kept it from perfection for me was a bit less of an American ending. 4.5 stars.
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There's loads of these brisk, funny, situationally attuned, brilliantly shot comedies with polished casts in precisely fitting jackets, and no less precisely fitting roles. And if there is also an interesting dramatic subtext and some wisdom from life, much better. It should be noted, however, that Crazy Stupid Love entertains just a little bit more than its contemporaries. It's hard to say what it is, maybe the directorial dynamics, maybe the immediacy of the main characters, in any case, it’s great.
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