Juonikuvaukset(1)

An odious architect is beaten to death and a high society wife (Jacqueline Bisset) and her gay friend (Jean-Louis Trintignant) are the key suspects with a discarded letter implicating them in the crime. Commissioner Santamaria (Marcello Mastroianni) is assigned to the case and tries to uncover the murder suspect in upper-class Turin. With a murder mystery narrative worthy of Agatha Christie, The Sunday Woman is also a sharp critique of Turin’s upper crust. (Radiance Films)

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Arvostelut (1)

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englanti A seemingly inconspicuous, but very well-directed film, whose criminal storyline is not that interesting, but which stands out for its atmosphere and portrayal of society in its time. The casting is also very good, with Marcello Mastroianni, but especially Jean-Louis Trintignant, showing why they became film stars. Jacqueline Bisset is primarily beautiful and fits perfectly into her role as a bored lady from the upper circles. The film can be considered a social satire of the better society of its time, its "morality," and life goals. Overall impression: 70%. ()

Kuvagalleria (11)