Red Sands

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Present-day Afghanistan. As continuing battles rage in the war-torn country, a unit of U.S. soldiers are dispatched to seize and control a strategic road that runs past an abandoned stone house. En route, the soldiers discover an ancient stone statue hidden deep within an ancient ravine. Using the relic for target practice, they destroy it, unwittingly releasing a vengeful supernatural force that is about to wage a horrifying war on them in this taut, action-packed, psychological thriller. (jakelijan virallinen teksti)

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englanti It’s as disappointing as Dead Birds. I’m sure there will be some good responses, but Turner’s style just doesn’t work on me. Nothing happens for a very long time and the atmosphere it builds collapses at every turn. When something finally does happen, it’s over so quickly that you don’t have time to realise what it was, leaving boredom to take back control. The Afghan desert setting is not the only thing this film has in common with last year’s The Objective, there’s actually a lot more than I was willing to admit while I watched it. And now I realise that even my unloved Dead Birds left me with a better impression than this one. Take away the jump-scares, the attractive setting and the good looking monsters, and you have Red Sands. Unfortunately. ()

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