Hetki lyö

Traileri

Juonikuvaukset(1)

Kaksi vuotta seurustellut nuoripari on syvästi rakastunut. Seh-hee ei kestä onnea, vaan käy hysteeriseksi jos olettaa Ji-woon vilkaisseen toista naista. Eräänä päivänä rakastelusta ei tule mitään, ennen kuin Seh-hee vaatii Ji-woota kuvittelemaan jotain toista naista. Ahdistunut Seh-hee katoaa Ji-woon elämästä ja läpikäy plastiikkakirurgin käsissä täydellisen muodonmuutoksen tarkoituksenaan herättää henkiin sammuneeksi pelkäämänsä intohimo.
Ji-woon sydän on musertua. Ajan myötä hän kohtaa muita naisia, mutta aina tilanteen kääntyessä intiimiksi jokin mystinen, ulkopuolinen tekijä katkaisee tilanteen. Sitten Ji-woo tutustuu tarjoilijaan, jolla on eri kasvot mutta miltei sama nimi ja olemus kuin kadonneella rakastetulla. Ji-woon sydän alkaa kääntyä nyt See-heen puoleen, mutta kadonneen Seh-heen muisto ei päästä irti. Sitten Ji-woo saa kirjeen, jossa kadonnut Seh-hee vaatii tätä palaamaan luokseen. (Cinema Mondo)

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Arvostelut (2)

Pethushka 

kaikki käyttäjän arvostelut

englanti I'm not a die-hard Ki-duk Kim fan, but he almost always gets in my head. And here he succeeded most of all. This topic evoked unexpectedly strong emotions in me that I can't shake for a few hours now. I wouldn't have expected to say this, but it was a great film. 4 stars. ()

gudaulin 

kaikki käyttäjän arvostelut

englanti As I already mentioned in my profile, I have problems with most East Asian films, and several problems starting from the fact that the actors' faces blur for me (by the way, the same is said by people from East Asia about us) and in general, it is true that emotional reactions in East Asian productions often do not correspond to what I expect and consider appropriate in a given situation due to the different culture. Moreover, from the reviews of Ki-duk Kim's films, I get the feeling that he is the Korean version of Sokurov, and his style does not suit me. I chose Time as probably the most digestible and thematically attractive film from his production. It is an interesting piece of work, original and thought-provoking in many aspects. On the other hand, the director's mannerisms are noticeable, so I will avoid his other films. As for the theme, the postmodern fascination with oneself and one's appearance is valid for others as well. Recently, I saw a documentary on tattooing, and what Ki-duk Kim focuses on in this film was also included there. However, I would prefer a Euro-American adaptation. To be honest, the story sometimes stands on shaky ground. Can plastic surgery really change a person so much that their partner doesn't recognize them at all? What about their voice, gestures, birthmarks on the body, and many other things? It was necessary to greatly violate logic for the director to bring his film to a final point. Nevertheless, it is not lacking in charm. Overall impression: 60%. ()