Ohjaus:
Juan Carlos FresnadilloKäsikirjoitus:
Andrés M. KoppelKuvaus:
Xavi GiménezSävellys:
Lucio GodoyNäyttelijät:
Leonardo Sbaraglia, Eusebio Poncela, Mónica López, Antonio Dechent, Max von Sydow, Guillermo Toledo, Alber Ponte, Jesús Noguero, Chema de Miguel (lisää)Juonikuvaukset(1)
Tiivistunnelmaisessa trillerissä neljän arvoituksellisen ihmisen kohtalot kietoutuvat yhteen kuolettavassa pelissä, josta vain voittaja selviää hengissä. Thomas on karmean lento-onnettomuuden ainoa eloonjäänyt, joka varastelee toisten omaisuutta päivästä toiseen. Federico selviytyy maanjäristyksestä, ja katsoo oikeudekseen ottaa rikkailta sen mitä hän itse on menettänyt. Sam puolestaan on rikas kasinon omistaja, joka ponnisti tyhjästä menetettyään kaiken omaisuutensa tulipalossa. Sara on auto-onnettomuudesta selvinnyt nuori poliisi, joka menetti samaisessa onnettomuudessa koko perheensä hämärissä oloissa. Kuka heistä ansaitsee jatkaa elämäänsä? (Nelonen Media)
(lisää)Arvostelut (3)
Fresnadillo is talented, no question about it. Yet I didn't understand that until I saw his next film. I don't see how 28 Weeks Later can be brimming with utterly brilliant momentum when this first feature is based on a great idea that's buried by an incredibly dead pace and a complete lack of empathy for all the characters. The day after watching it, all I remember is the famous sprint through the forest, which is too little for 105 minutes.
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Well, the desire to go jogging in the woods pretty much passed me by, but not so much because of THAT scene as because this film was so tedious that it made me disinclined to do any other activity. It's a shame that only the premise was took off to the skies of originality and not the rest.
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It is a great pity that such a promising thriller concept, which could have been used in almost any genre (especially sci-fi, which would suit it the most), has been diluted into a surprisingly uninteresting drama, where the viewer can only dream about interesting characters. I was particularly bothered by the screenwriter's impersonal approach to the characters throughout the first half, as a result of which the catharsis did not feel like a culmination, but rather as a liberation from boredom. From experience, we know that a good mystery thriller can be created in Spanish conditions, but this case certainly is not one of them.
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