Ohjaus:
Frank CoraciKuvaus:
Dean SemlerSävellys:
Rupert Gregson-WilliamsNäyttelijät:
Adam Sandler, Kate Beckinsale, Christopher Walken, David Hasselhoff, Henry Winkler, Julie Kavner, Sean Astin, Jonah Hill, Tatum McCann (lisää)Suoratoistopalvelut (3)
Juonikuvaukset(1)
Michael Newman (Adam Sandler) on naimisissa kauniin Donnan (Kate Beckinsale) kanssa, ja heillä on kaksi ihanaa lasta, Ben (Joseph Castanon) ja Samantha (Tatum McCann). Mutta hän ei näe perhettään paljonkaan, koska tekee pitkiä työpäiviä arkkitehtitoimistossa, toivoessaan että epäkiitollinen pomo (David Hasselhoff) alkaa arvostaa hänen korvaamatonta työpanostaan ja tekee hänestä osakkaan. Päästessään lepäämään laakereillaan hän voi antaa runsaasti huomiota vaimolle ja penskoille. Niin hän ainakin vakuuttaa itselleen.Valvottuaan koko illan työnsä parissa väsynyt Michael turhautuu, koska ei edes tiedä mikä kaukosäädin avaa TV:n. Michael lähtee etsimään täydellistä laitetta elektronisten vempaimiensa ohjaamiseen ja pöllähtää Bed, Bath & Beyondin takahuoneeseen, jossa erikoinen työntekijä, Morty (Christopher Walken) antaa hänelle kokeellisen, ainoan laatuaan olevan huippuvekottimen, joka takuuvarmasti muuttaa hänen elämänsä. Morty oli tosissaan. Pian Michael hallitsee ympäristöään käynnistämällä jokaisen kodinkoneen napin painalluksella. Mutta laitteella on hätkähdyttävämpiäkin ominaisuuksia. Sillä pystyy jotenkin vaimentamaan perheen koiran, Sundancen, haukunnan – ja mikä vielä hämmästyttävämpää, kelaamaan pikakelauksella ärsyttävän riidan vaimon kanssa. Michael tulee pian riippuvaiseksi uudesta vallastaan, jonka avulla hän pystyy toteuttamaan toiveensa. Mutta ennen pitkää kaukosäädin ohjelmoi häntä, eikä päinvastoin. Ja vaikka miten yrittää, Michael ei pysty estämään kaukosäädintä päättämästä mitkä asiat elämässään hän kokee ja mistä jää paitsi. Vasta silloin hän alkaa arvostaa ja hyväksyä elämäänsä – hyvän, pahan ja ruman. (Nordisk Film Fin.)
(lisää)Videot (1)
Arvostelut (8)
Family first. To come to this crucial decision, you have to endure about a hundred minutes with this "comedy" gem. The subject matter has some comedic potential, but it shouldn’t have been put into the hands of Coraci and Sandler. In the first half, Click is a classic family comedy except that it is without humor. The creators attempt it here and there, but fecal wannabe humor, like farting in David Hasselhoff's face, can hardly be viewed as being funny. In the second half, the movie changes key, but it deploys another heavyweight: a journey to learn the true values of life. Moreover, with a rather ridiculous attempt at the emotional side of things. Click could have been a decent average comedy in the style of Bruce Almighty... if it had been shorter, without dysfunctional emotionally manipulative scenes, and most importantly, if there had been some humor in it. It's even worse than the usual dumb Sandler movies. Why? Because this pretends to be something more. If it weren't for Sundance, I'd go even lower with the rating.
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The story is like a see-saw: uninteresting and even cringe moments are followed by genuinely funny and even touching passages at the end, which I always like to remember. And I remember them even more fondly when they featured the traditionally charismatic Walken or Kate Beckinsale in panties (which is still probably the prettiest imaginable scene in Hollywood history). It's a shame about the uneven first half, which dulls many of the motifs and overwhelms them with unnecessary quick gags, and the stupidly violent happy ending – with this subject and cast, it was meant to be an endlessly clever and inspiring film, not an occasionally funny and tryingly deep fairytale that eventually trips over its own feet. 65%
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Lots of ideas at the beginning and slightly clumsy moralizing at the end. Surprisingly, Adam Sandler goes all in and is skillfully supported by the divine Sean Astin. On the other hand, Kate Beckinsale fulfills the role of a decorative accessory. However, all the life lessons wouldn't bother me as much if it weren't for the key scene in the rain, which instead of evoking sorrow, brought a wide smile to my face due to its ineffectiveness, and the dogs constantly circling the stuffed animal don't seem funny to me either. Given the great concept, it's ultimately a sadly wasted opportunity.
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The first half is a typical Sandler movie with all the trimmings. The jokes about jumps in time + the “bonus" function on the remote control + out-talking the neighbor’s brat (to tell the truth, I enjoyed that bit the most:-). While the second half is a sad to touching drama about life. Despite everything, the second half is predictable and simple, but is touching mainly thanks to Sandler’s excellent performance. Plus, Kate Beckinsale’s amazing body drives me crazy ;-). After a repeat screening, I raise it to a 5.
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The first half is a series of more or less awkward and even more awkward jokes, where my rating oscillated around one star. Fortunately, the second half picked it up, the awkward humour disappeared and it became a quite pleasant, albeit a bit simple-minded moral on the theme "Family above all!" With the passage of time, the initially unlikeable Sandler has become a person who can believably play some deeper emotions. In the end, I would give it 3 stars, but I can't because of the first half. And in conclusion, I can only say with pleasure: "Hola hey, the cult lifeguard and general of shallow commerce, the reborn David Hasselhoff is here again!!!" :o) He clearly enjoyed his role as the boss after his film fast.
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