Lost

No other TV show has captivated me as much as Lost. However, I believe that offering something like this to the average Czech audience is a waste of time. A typical Czech family watching TV: mum knitting and nagging the kids, who are munching chips and misbehaving, while daddy is napping in the armchair; or they are all taking and laughing. And then a show that demands attention and hides a lot of important details is considered “utterly stupid”. If I were to watch for instance episode 3x20 without knowing any of the previous events, I would say it’s bullshit. Season 1: 5* – great atmosphere, getting to know the characters and the original flashbacks. Watched on Nova with Czech dubbing. Best episodes: Exodus II, Deus Ex Machina, Solitary. Season 2: 4-5* – excellent beginning and ending, but the middle is just filler. Watched on DVD over a weekend (AXN dubbing). Best episodes: Live Together Die Alone, Man of Science Man of Faith, Lockdown Season 3: 5* – I have no reservations about this season. Interesting twists, two great new characters (Ben and Juliet) and a great ending. Watched in original language. Best episodes: Through the Looking Glass, The Man Behind the Curtain, A Tale of Two Cities. Season 4: 4* – Perhaps the weakest season. It has some excellent episodes, but it wasn’t impressive as a whole. The plot on the island is quite lifeless, the characters are always travelling, without solving anything important. Things are considerably better outside, but Lost should be about the Island. Best episodes: The Constant, There's No Place Like Home II, The Shape of Things to Come. Season 5: 5* – For me the best season of the show. Many people will not be happy with the events that unfold from the first episode, but those who come to terms with it are in for a great reward. We gradually get answers to many questions (though often only in hints), the plot is unpredictable and the finale is awesome. We finally get to know what is really happening on the Island – and the previous seasons suddenly feel like nothing. Best episodes: The Incident, The Variable, Dead is Dead. Season 6: 4* – One big farewell to the show. If you don’t want to be too disappointed, you should accept the fact that the most important questions were answered in the previous season (though not nearly all of them) and that the show doesn’t have much left to offer. We say good-bye to the characters and watch how the whole story ends. Some people will be very satisfied, others less so. I’m not complaining, I will remember this show fondly. Best episodes: The End, The Candidate, Everybody Loves Hugo. A brief take on the show as a whole: Nothing will change the fact that I spent with Lost probably the best years of my life and that’s reason enough for me to love it. It works perfectly if we take it as the story of Jack that begins with the plane crash on the island. The show is often surprising, generates mystery; we know only what the characters themselves know – and that’s good. The problems begin when we look at those events as they happened chronologically, i.e. starting somewhere in antiquity and ending with the plane crash. In that case, many things don’t make sense, and not only minor details, but also the core conflict – what the show should actually be about. (05.04.2007) (vähemmän) (lisää)

First I watched four seasons “week after week" and then, years later, I watched all six seasons all at once. Although Lost can be faulted for many things (mostly rightly), it can also be praised to the heavens for a lot of other things (mostly rightly). The evolution of each season in terms of narrative methods, style, genre, topic, form... Simply everything is done in a way that nobody has attempted before; especially not for a non-cable station that relies heavily on viewer figures. Each season is completely different, not always necessarily good, but Lost doesn’t suffer from the “same thing over and over, just in a different jacket" syndrome. Where the first series made do with a few characters and their struggle for survival somewhere on a beach in the South Pacific, a couple of acres of jungle, slow storytelling and flashbacks, a couple of seasons later it continues with an almost unbearable number of characters, global scale, breakneck pace, no flashbacks, several time levels of storytelling (Nolan must love it) etc. It is evident that the first two seasons are completely separate from the others, as if, after their success, the creators came up with an integrated concept for “how it is ALL going to be from now on", so they knew what to put where “so that it would all fit together", while before that this wasn’t the case at all. So the separate events (especially during season five) work faultlessly in terms of episodes as of season three, but in the context of the first two seasons, in places they are pretty hard to come to terms with as far as logic is concerned. The series suffered some rather weak interludes (filler episodes during season three, the first half of season five and a considerable section of season six), as well as enjoying some stronger periods (season one, a period comprising four episodes in season three and the entire season four and the end of season five). In the first half, it was often needlessly dragged out, while in the second half an episode or so on top would have benefited things. It should have ended after season four which, with a couple of changes, would have made a satisfying end (season five as well), or conversely it should have had an extra season, because the finale leaves a lot of unsuitable loose ends. It’s just full of contradictions. Why it works and what carries it along despite some weaker periods are the characters. It is the characters that make this worth watching at all and all of the most powerful moments are thanks to them. Because these moments aren’t a matter of twists or revelations, but they are simply emotional passages. Primarily it isn’t an action adventure mystery sci-fi series, that is all secondary, but it’s about the characters. And they are the reason why I kept watching for so many years, even though more than once it got on my nerves; the characters are the reason why I plan to watch it again in the future. Purely objectively I should give it four stars, but... I just have a weakness for Lost and for Giacchino and his top notch six years of toil on this series, and I can think of nothing but praise for it. _____ Season one (5/5): At first sight it might seem that another variation on the theme of “survivors on a desert island" has nothing to offer, but that would be a mistake in this case. It’s like if you describe Twin Peaks as simply twenty episodes about the investigation of a murder in a small town; who would want to watch something like that, huh? Season two (4/5): To start off with, the creators turn everything upside down and so this season has a completely different feeling than the one before it... But still, underneath everything this is still good old Lost. Season three (4/5): Right from the very start the creators show you that this is going to be in a different spirit. But that’s not really how it works here. It’s still good, but you’ve seen it all before and it’s almost a waste of screen space. It’s not actually boring, but clearly yesterday’s warmed up porridge full of pointless flashbacks. You even start thinking that maybe it’s not worth your valuable time. But sometime around episode eight it kicks off from the bottom and the quality begins to rise, at first slowly, but then pretty fast, with the last few episodes of the season turning into the very best that the creators have given us so far. But at times it seems that they should have condensed the story down from three episodes into one. At times. Season four (5/5): ... and, lo and behold, that’s what they did. Fewer episodes per season meant unusually perfect episodes, because they got rid of the filler. Breakneck pacing, that is what season four is about. No need to mention the change in concept and style, that would be repeating myself, so I’ll shorten things to saying that this is the best season after season one. This one is so good that if it answered a couple more questions, this would have made a respectable and mainly absolute ending to the series. Season five (4/5): Not at all bad, but somewhere completely different than I wanted it to be. There are many unforgettable sequences here, but the pace is so relaxed that many of the episodes could be much shorter. But it’s nice that the creators stuck to the motto “what happened happened, and it happened like it always did" which is pretty rare (and never on such a scale, and never before did it make sense). The final quartet of episodes is first rate - something we have never seen in Lost before, which improves the overall impression. Season six (3/5): "I promise I'll tell you everything." When I said I didn’t like the direction taken in the preceding season, while having some qualities, this season the same applies twofold. Developments on the island are rather confused (although they have their moments, as usual in the second half of the season) and this season drags on by the inclusion of countless flashbacks; this is an elegant way of getting out of the problems, although it only works if you care about the characters at all. But if you didn’t, you wouldn’t be watching season six, would you? The problem of this season is the duality of good and evil, because the “good" is represented here by an all-powerful elite that doesn’t hesitate to wreck lives, while the “bad" is presented as quite understandable free will pushed into being evil, preventing any steps of “good" from being taken, which is bad for everybody else. In terms of story, the finale is similar to what I wrote somewhere before, but the aim here isn’t to resolve everything (although I think that everything has already been explained; here it is less about being necessary and meaningful and logical, but more about feelings instead). This season is centered around respectful farewell to the characters, which works perfectly all the way to the finale. But then along something happened that shouldn’t have... The events on the island itself are decently wrapped up, but the second storyline not at all. And the events captured on the bonus, spoof episode on the DVD Epilogue: The New Man in Charge (5/5)? I’ll just say this: if ABC gets around to it, I want to be there to see it. (12.10.2005) (vähemmän) (lisää)

Season 1 - 90% - With TV shows that have a cult status right from the start, I am usually skeptical, but try not to believe it when every other character fascinates you (Sawyer, Charlie, and the mysterious John Locke) and the setting, like the Island, has never been seen before. The Robinson Crusoe beginning is forgotten by the end of the first episode and gives way to personal dramas, efforts to build trust, and fear of the unknown. From the episode "The Moth," I became a fan, and from the legendary "Numbers," I became a Lostie. And now I'm going down the rabbit hole into a new rabbit burrow... Season 2 - 85% - The mysterious string plays the right tone again, hinting at deep mythological possibilities and showing who can hide in the depths of the jungle. The scripts also amp up the music. Once again, we witness a shocking departure of an important character, but regular relationships between characters become sharper, mainly due to the theme of getting used to new arrivals. The only objection I have is the slight dragging. While Sayid literally walks along the beach for a few minutes in the first season, the second group wanders around the jungle on the beach for three episodes. We do get to know the newcomers better, but it strongly affects the tension and atmosphere we knew when we got to know Jack or Sawyer a season ago. Nevertheless, I wouldn't label the second season as significantly weak. In the second half, the atmosphere thickens so much that each episode is a true dramatic gem, and the finale is literally flawless. Only a slight drawback compared to the pace of the first season remains. Season 3 - 100% - The mythology takes a backseat and relationships and characters take the lead. For me, this is a positive change, and the best proof is the first six episodes. While many viewers label this period as the weakest part of the series, I didn't take a breath for even a minute. And because the rest of the third season also fascinated me, I couldn't help but applaud. The series gains a new central motif through Desmond, and John Locke's new position becomes the most intriguing storyline. The brilliant finale surprises us so much that it almost requires another viewing. At the time, I thought that the episode "Through the Looking Glass" was the key to the end of the series, but the creators had even more daring plans. Season 4 - 100% - Flashbacks + flash forwards, a ship with new characters, and the best season yet. The playfulness with time and storytelling reaches a new level, and I can only wonder. We get some crucial answers, but the information that would provide the decisive key to the complex point is still out of reach. But how can I be mad at the creators when they expand the mythology to such dimensions that without occasional private recapitulation, I might easily get confused in the plot? This epic and complex TV milestone has definitively entered history with this season. And it shows us that while the mysteries of the Island are irresistible, it is always about the characters. This is evidenced by the fact that Jack, who was once unpredictable and often cursed, has become one of my favorites. Season 5 - 100% - When I thought that the time play and storytelling reached their highest level in the fourth season, I didn't know that the creators would take me at my word and give me - time play. The memories of the main characters suddenly seem to be the scheme of a completely different series, and no matter how we couldn't predict what would happen in the next minutes before, now we can't even guess what and when will appear in the next second. And of course, I made the same mistake again. At the end of the final episode, I had the feeling that I guessed how the whole series would end. I couldn't have been further from the truth. Season 6 - 100% - The End has come. It didn't give us answers about who built the four-toed statue, didn't reveal how the ocean currents around the Island work, didn't reveal even more important things. But it was the ending it should have been. Absolute, grounding, concluding all the beloved characters I was rooting for for six seasons. I can understand all the criticisms: not enough information about Jacob and his companion, not enough answers to questions about the nature of the island and its core, an ending that changes the face of the whole series. But I remain elated. Uncertain, because I know only slightly more than the characters themselves, but that's how it was supposed to be. We only know what the main characters were told by the supporting characters, and they only know what they experienced themselves. Nothing more, no answer from above, no clue to move forward beyond the passengers of Oceanic 815 and all those who joined them over time. And for that, thank you. Only like this could The End be such a breathtaking, personal, and touching experience. See you in another life. (19.06.2010) (vähemmän) (lisää)