Saw
Ohjaus:
James WanKäsikirjoitus:
Leigh WhannellKuvaus:
David A. ArmstrongSävellys:
Charlie ClouserNäyttelijät:
Leigh Whannell, Cary Elwes, Danny Glover, Monica Potter, Ken Leung, Michael Emerson, Tobin Bell, Makenzie Vega, Shawnee Smith, Dina Meyer (lisää)Suoratoistopalvelut (4)
Juonikuvaukset(1)
SAW’s opening scene immediately plunges the audience into the unknown, along with the two unfortunate men, Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes), who wake to find themselves chained up in a fetid subterranean bathroom. The captives are the most recent targets of a psychopathic genius known as Jigsaw, who constructs elaborate games that force his victims to make impossible choices between life and death. As Adam and Dr. Gordon struggle to unravel the elaborate puzzle of their fate, Detective Tapp (Danny Glover) and his colleague Kerry (Dina Meyer) work furiously to determine Jigsaw’s identity before he can claim yet more victims. But Jigsaw has accomplices – whose willingness is not entirely clear – and his meticulous planning enables him to escape. (jakelijan virallinen teksti)
(lisää)Videot (2)
Arvostelut (12)
An atmospheric slaughter movie that I found surprising thanks to some of the twists. Great ideas put into practice well. Wan certainly knows his stuff. It was pleasant to see many well-known and quality actors alongside some unknown ones. But it isn’t so brutal and doesn’t make you jump, so don’t be afraid. ;)
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This saw has really sharp teeth, though a bit rusty in places. Among the good things we can count the thick oppressive atmosphere, several excellent suspenseful scenes and one awesome jump-scare. On the other hand, there is the unconvincing performance of Cary Elwes as Dr. Gordon, a bit of the traditional clichés (the pratfalls or the pointless hesitation before blowing someone away) and the final twist. In itself, it is very, very surprising and shocking, but it is too much "for effect" and in hindsight it digs big holes in the logic of the plot. Still, I won't go below four stars, a film that can happily be described as a heavy punch for the average audience (a friend told me how he experienced a stampede to leave the cinema during a screening in Ireland) doesn't deserve it.
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This basic premise was without the slightest clue of what I was getting into, and without the knowledge that I would see it countless times in future installments, it was really perfect back then. Despair, the unknown, and people in a strongly oppressive environment and situation still function today. It's a shame that with Jigsaw came the tormented cliché of "I'm aiming at you, but I'll wait until you take the weapon from me", because without it, Wan would have aimed really high. What the script loses here, it gains with the point. It may be problematic, full of holes, and perhaps even impossible, but it can't be taken away from it that it is truly unforgettable. The new Se7en may not have come then, but with a decade of hindsight and the presence of unbalanced sequels, the first Saw has matured into very favorable colors. 70%
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The overwhelming majority of films from this area do not fall into the B-movie category, but rather the C-movie category and have a sadly semi-amateurish character. Saw significantly stands out from this production with its professionalism and is currently the actual peak of the genre. A relatively sophisticated screenplay, professional directing, editing, cinematography, and acting performances that do not provoke disdainful smiles. Along with the horror atmosphere, strongly naturalistic shots, and impressive ending, they create a perfect cocktail for Saw to become a box office hit. On the other hand, the screenplay is not so well-developed as to avoid inconsistencies and some clichés. The editing at times resembles music video production and flashbacks only delay the story. Overall impression: 60%. The sequels of this film have already lost the originality of their predecessor and are just squeezing money out of the pockets of the audience.
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Come out and play, Mister... A whole lot for very little. You see, Saw is like FilmBooster where the room is substituted by the webpages and Jigsaw by POMO himself, who mixes everything up with his twisted sense of humor. He deploys an army of a thousand multi-accounts to stir emotions and turns users against each other. I bet now we can look forward to some final twist and tricks on ordinary people like deleting all of their scores and reviews. That would be a master stroke worthy of this atmospheric genre.
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