MrHlad

A very dignified farewell. Daniel Craig clearly enjoys the whole thing much more than in Spectre, and Cary Joji Fukunaga proves to be the perfect man to direct. No Time to Die has a great opening and an excellent ending, and it plods a bit in between, but not to the point where it hurts. Fukunaga is unlucky to have been given the task of retelling the story that was so poorly picked up by Sam Mendes in Spectre, and it was probably no fun to make sense of it all and milk some emotion out of this latest Bond flick. Fortunately, Fukunaga manages it quite well, despite Léa Seydoux being an extremely uninteresting actress and playing probably the most boring Bondgirl ever. Unfortunately, Fukunaga couldn't get rid of her, so I take it he did what he could. He's much better in scenes where he can invent new things and not work with what's left. The action is good, imaginative and different every time. And the whole No Time to Die changes its style unexpectedly and often, so that at times it's reminiscent of Craig's Bond films, at other times it makes you think of the days when Roger Moore or Sean Connery were Agent 007, and in some scenes the film can be surprisingly gritty and uncompromising. The whole thing could have been shorter, had a more prominent villain, and the middle part does drag a bit at times, but overall it's a film that's definitely worth seeing. And Craig can be happy with how he parted with his license to kill.

It's a good movie, but I won't pretend I didn't expect more. In the most tense moments, debutant Dan Trachtenberg can't be as gritty and intense as he should, and in the middle section he fails to pinch the atmosphere the way, say, John Carpenter did in The Thing. There are occasional dead moments, and by the fifth time you're figuring out what's out there, or which of the characters is a nutcase, it starts to get tedious. Never, thankfully, so that boredom sets in, and thanks to John Goodman's impecable performance and Mary Elizabeth Winstead, who can do confident damsels in distress like few others, it's still a fun ride where you'll enjoy the twists and surprises. I just think it should have been made by someone who's done some movies before and knows that maintaining a suspenseful atmosphere when there are three people and four rooms on the screen doesn't quite work on its own and needs a little help.

A more intimate and independent version of Lost in Translation. But no worse. Morgan Freeman clearly enjoys his role immensely, Paz Vega is as talented as she is beautiful, and the short running time makes the whole thing move along nicely. For some, however, the upbeat mood may be too much.

Quite suspenseful and a bit different than the usual thrillers mainly because it focuses on a pair of killers, not cops. Karel Roden is cool, Edward Burns is a prude, and all in all I found this to be a relaxing above average film.

Sandra Bullock can't act, the script isn't worth much either, but the film has something that just doesn't allow me to condemn it absolutely. That something is my all-time favorite Steve Buscemi. It's simply because of him that I can't give it one star.

An incredibly stupid script in which all the members of the army behave like morons. Fortunately, the director saves what he can. But it could have been MUCH better.

Either a good actor and a good sci-fi whodunit, or Arnold and lots of action. The two just don't go together. That's why this film looks the way it does.

A retro Christmas comedy about the fact that in life there are more important things than a dream phone and a console under the Christmas tree. The likeable cast and a nice atmosphere mostly disguise the fact that there wasn't much money for 8-bit Christmas, but halfway through, it starts to pick up. Unfortunately, the final change of pace and actually genre is quite dysfunctional and at best, it seems strange. But you can spend an evening with this retro affair and it won’t offend adults or kids.

Damn good and damn rough. As a crime drama, 8MM ventures into less explored waters and it's very, very good. Heavy depression to the end. Not for the faint of heart.

One of the best "dumb" comedies. And even though it's dumb and stupid, it's also very funny. You just have to be ashamed that you think it's funny, and I'm not ashamed.