D.Moore

It does not hurt to give it a single watch, but the original film remains and will remain unsurpassed because its adventurous atmosphere has not been invoked or imitated by anyone else. It's also a shame that when it comes to humor, the new Jumanji benefits the entire time from just making the players and characters look completely different, and how they behave. Not that it doesn't lead to good comic situations, but there's too much going on, and it's more or less the same thing over and over, only with little changes. And when even the action scenes don't really dazzle you... It is average, but not terrible.

I liked the rather dignified continuation of the (better) first part. Ivan Trojan and Jiří Dvořák are an excellent pair and the whole film is practically theirs, but the gifted Aníčka Čtvrtníčková is definitely not lost next to them. I could do without the whole heavenly hellish part with the seduction of Vica Kerékes, which wasn't even very funny anyway.

I believe that when you see this film in a full cinema of giggling people, for example, you will give it five stars without the slightest bit of remorse. I saw it by myself, so I often shook my head in disbelief at all the acting "performances", at what the characters spewed out of their mouths, and also at how many bed scenes can be crammed into the first half hour (I knew the breasts of the main character so intimately during that time that I feel like I also slept with her). I only laughed during the finale, during which I also realized a strange thing - the Room didn't bore me at all.

I am very satisfied. Kylo Ren and Rey are great characters and their story and relationship is interesting, dramatic and well done. Mark Hamill relishes his return to the lightsaber and he is good in his somber role. I probably won't write any more so as not to inadvertently suggest something that it is good to be surprised by (and there are plenty of such moments in the eighth Star Wars). There is also the fact that in terms of the number of assorted creatures and some lighthearted moments, The Last Jedi is considerably closer to the new trilogy than the previous installment, but never crosses that line that divides fun from ridicule, and that's a good thing. John Williams again composed great music and I can't wait for the soundtrack.

A satire that has teeth and claws that likes to go into the most painful places and revel in open wounds. But most importantly, it's also crucially funny and intelligent, not even a bit cheap. I look forward to every new video of the great John Oliver, and thanks to him, for example, I started to measure good and bad people using the Hanks-Hitler scale.

A strong story, excellently shot and acted. I was (pleasantly) surprised by the large space dedicated to staying in the lifeboat, I was entertained by the credible power of the spirit that emanated from the protagonist from start to finish, and I did not see any unnecessary pathos for even a moment, which I was originally a little worried about. Everything was human, Roger Deakins' camera was beautiful as ever (he did great especially with the aforementioned richly yellow boat on the surface of the blue ocean), Alexander Desplat's music was this time mostly rather inconspicuous, but in a few important moments not to be overlooked, and Angelina Jolie again directed in that Eastwood (and perhaps a little Spielberg) style - clearly, lightly and every now and then with some great shot, such as when the boat arrives in the shadow of a Japanese ship (the ocean again, I know).

The immensely sympathetic main protagonist, a current new idea and the beautifully colored camera surprised me and turned Nerve into a pleasant experience. The finale is, true, a little barren and the most thrilling scene was the motorcycle ride. However, watching till the end was not as much of a problem as it might seem after seeing the teaser.

One of those many TV short stories that builds on a simple point that is easy to see through, and it must therefore rely mainly on actors. Lubomír Lipský and Josef Větrovec are (strangely) a very good pair, but unfortunately the script is stretched and therefore everything takes them so LONG... I would cut it down, then it would be better.

It never seemed to me that DC films would attempt to copy Marvel in terms of style, even in the case of Wonder Woman compared to Captain America. This time, however, yes, because Justice League is actually The Avengers, including humor at all costs, in which nothing happens (at least at first glance) that would somehow affect the film universe. Yes, it's about the resurrection of Superman, but it's kind of shallow, and Superman is different than before because of the script (“It itched" can boldly compete with the sand that Anakin Skywalker had everywhere). Plus, I didn't really recognize Zack Snyder's hand in the film. Compared to the excellent Man of Steel and even better Batman v Superman, Justice League felt almost too intimate, unimaginative and flat. Despite all that, my two hours at the movie theatre weren't wasted, because the film has some really good moments, I liked the music by Danny Elfman (the return of the Batman motif from Burton's films and the original Superman motif by John Williams!), and Ben Affleck is a really great Batman.

A relaxing comedy (it sometimes reminded me of a more vulgar version of Kolya), which I would screen as a double film with Wes Anderson's Moonrise Kingdom. It's playful, sensitive, funny, very well acted, filmed and accompanied by great music. It perhaps bothered me that it was a bit predictable. However, I wish I would see such films more often in the movie theatre.