Kaka

Pretty decent romance from Costner, as an actor has shown that he can still handle the more subtle scenes – once a bodyguard, always a bodyguard – and as his character in Yellowstone proves that he's not just a grumpy old grouch, but a flesh and blood man who can take off his armor and at least occasionally function "normally". It will also be interesting to follow the new players on the scene.

A fantastically lively Beth and a great clash of male egos – Rip vs Kacey. To make things more interesting, the whole final scene is like one big teaser for the next episode. Kevin Costner plays the hostile morose to perfection.

A more leisurely start, similarly conceived to the one in the first season. It's a tease almost all the way through, only for the creators to land a mighty blow at the end. It’s quite effective again.

An exceptionally comprehensive biography of one of the most influential artists of our time, who stood out for his ambition and grand plans, which he managed to turn into reality. An impressive account of a legend that is factual, direct and well handled. Those three hours with Arnold went by in a flash.

The least interesting episode about the least interesting topic – politics will never be as cool as bodybuilding or the film industry, but it is evident Arnold left a strong mark there as well. More powerful than the recapitulation of his political achievements was his final accounting of the mistakes he made.

Too complex a subject for only one hour. There are a lot of things, moments and information that fly by too quickly and a lot of times key situations just skim the surface. I wanted more info on how the filming of T2 or True Lies went, but the second episode is so fast-paced that there's a lot but nothing proper. This makes it a bit worse than the first episode, but still a decent job.

Cleverly conceived, intelligently spoken, engagingly narrated. Arnold seems to have finally made a proper documentary detailing all three of his greatest achievements. I'm sure most people are looking forward to the second episode, but this one is also interesting to watch. It moves carefully and slowly and chronologically forward, showing Arnold at the height of his physical powers as Mr. Universe and Mr. Olympia. Good as a probe into this particular sport in the 1970s, and also as the story of a legend.

A fine-tuned 80s spy thriller, with brilliant grey camera filters, cool retro sets and ambiguous characters. The Departed meets Heat with an original eastern feel. The script could perhaps use a little more work, and some of the editing may be too dynamic and not very clear, but these are minor flaws in the beauty of this Korean film that has not let Hollywood shame it. And the gunfight in the middle that pays some homage to Michael Mann will warm the hearts of the hardcore fans.

If Chris Hemsworth is the successor to 1990s Sly and Arnold, I say yes, thumbs up, because that is exactly how straightforward Extraction 2 is. And that's why it is subjectively a notch higher than the overly mythological and monumental John Wick: Chapter 4. Hemsworth gets his hands dirty, bleeds, burns, shoots down helicopters, kills with a screwdriver, and at least half of it is in one take with no cuts. Anyone whining about the bad visual effects should realize that this is not an A-list blockbuster going into theaters and costing 150-200 million, but it’s made for TV and costing barely a third of that. 9 times out of 10 there are more breathtaking scenes than most genre films will allow you to dream of, in fact I haven't seen anything this intense in a very long time – this is how The Grey Man should have looked like! An exemplary tribute to the craft of action, a masterful work of cinematography, editing and fight choreography. Come on, let’s have a threequel because Hemsworth is king.

You can see with Sheridan that he has a positive relationship with what he is filming and talking about. He gives Yellowstone a specific touch, keeping an eye on the details, the various cowboy traditions and rituals, respectful of this particular way of life, but also cinematically sweeping and complex. The first season had a simple task: to outline the main plot and introduce characters that are so complex and internally torn that those 9 episodes are hardly enough.