3DD!3

A delightful B-movie with a demented script by Kurt Wimmer, with extreme and bloody action. I don't understand who consulted and explained to the filmmakers the general workings of computers, how phishing takes place, what the lairs look like, where the millions disappear from the retirement accounts of American pensioners, but the result presented here is so over the top that I suspect Wimmer and David Ayer of making a satire of sorts. And Jason Statham is something of a force of nature. A hurricane that takes out the amoral call center fuckers, while looking like my dad watching cycling on TV. Ayer and Gabriel Beristain keep the visuals in check, and that's what makes the film look great. Josh Hutcherson, unfortunately, is not ugly enough as the vile perpetrator of all evil. He tries, but you just don't believe the self-absorbed prick. Jeremy Irons has virtually nothing to work with. And that security guard at the end, that's something. But what I enjoyed the most was the role of the FBI agent, a stay-at-home dad who figures out how to get out of work and all of Statham's destruction, only to have his stupid partner (Emmy Raver-Lampman) drag him into the hardest shit, only to change her mind about the whole thing. Maybe it's not even a B, it's a C. It's terribly bad, but I had a royal good time in places. Guilty pleasure? To bee or not to be?

Apes strong together... With Caesar's passing came the necessary long exposure. The new hero Noah, the new heroine Nova, and of course family and friends. Funny sequences about the foul odors of human females alternate with themes of artificial evolution. Knowledge and technology vs symbiosis with nature is beautifully sketched out and could use more elaboration, but there's no time. Wes Ball is building the fertile ground for a new trilogy and succeeds in presenting an interesting world that I want to know more about. A world that nature has taken back from humans and where the Legend of Caesar takes on a life of its own and is subjected to new interpretations. The apes, as a product of our failure, slowly tread our path, but have the ruins of our triumphs in their sights, which they want for themselves. I wonder where they'll take it. I'm sorry the smart people haven't disappeared. I'm waiting for the astronauts to arrive and visit New York. But this is missing the point.

Better than Dune! Excellent, imaginative, romantic comedy with polished action and filmed with incredible flair. David Leitch reminisces about his stunt years and inspires lots of little kids to get punched, smashed and knocked down, then deepfake them into the star of the film. Ryan Gosling in The Nice Guys mode and Emily Blunt in superwoman mode are having an incredible time, and the chemistry is conjuring unicorns before your eyes.

The now classic that introduced Asterix and Obelix to the television screen. It's not as elaborate and there's less subversive humour compared to the comics. It certainly doesn't have the quality of later sequels, but it's still solid entertainment where the simple antics of the Romans will keep the kids reliably amused.

The decline of male role models in fairy tales is sad, but what scares me here is more the overcomplication of motives leading to possession by evil. Yet the primary one - not fulfilling all wishes - is not satisfactorily explained. The attempt at realism thus comes up empty, and the kids just won't get it. Otherwise, the European Union, America and Russia's approach to government are mixed together in one fairy tale. Disney adds songs, animals and beautiful visuals. It's all quite mechanical, but in trying to be original it forgets that every good fairy tale needs heart rather than weird half-truths. Encanto was much better

A suspenseful, technically well made survival thriller, unfortunately with a mediocre and rather wobbly script. Idris Elba and his two restless daughters go to South Africa to reminisce about their mother, and on the trip they encounter the devious and vengeful Simba. Nonsensical decisions needlessly clash with terrific direction and amazing cinematography. Steven Price's score pulses brilliantly and the acting is pretty good too. The pleasantly grounded Sharlto Copley was a surprise. And the lion looks really good.

Godzilla -1.0 is a film about the tragedy of inaction and fear and the motivation that drives individuals to action and the ultimate sacrifice. The opposite of the cheerful American fooling around, made for relaxing entertainment I saw a few days ago. The Japanese open old wounds here, using a metaphor derived from the two nuclear bombs that Oppenheimer served up to the US military for quick use. Broken people slowly getting back on their feet after a lost war, only to be trampled by another disaster. Stunning destruction, backed by a roaring musical score, vivid characters where you care who survives and who doesn't. Surprisingly, the main character, a coward, lives.

Godzilla is enjoying a vacation in Europe and Kong is looking for more apes in the hollow earth and has a toothache. A modern version of the Verne films, which degenerates into unadulterated Kaiju-porn at the end. Swashbuckling battles, solid visual effects, 80's soundtrack backed by Holkenborg synths, tremendous destruction and people who don't get in the way but are props for the main fighters. It's rubbish and digital crap, of course, but it's fun and even in neon colours with a pink Godzilla who justifies the change by sucking out nuclear power plants in Europe to fulfil his part of the Green Deal. It's got a bunch of subliminal messages. The villain is OK, but the main asset is Adam Wingard's wacky ideas, which somehow manage to get implemented. The most entertaining entry in the franchise.

A swashbuckling, raucous and modern adaptation of Dumas' classic. More emphasis is placed on the action scenes, which are gritty, dynamic, and with great choreography. There have been so many versions of “The Three Musketeers” that I'm not even sure how it was supposed to be done, but the snipers in the church is a very good sequence. Eva Green is incredible as Milady, and overall it's a very strong cast. The ending is outrageously open and I'm looking forward to the second one.

About the same as the first part. The battle is maybe a bit better, because we have lightsabers in a bigger extent. The script is a big mess. The idea is there, but Zack Snyder can hold it with all the weird dialogue and nonsensical behavior of the checkerboard pieces. I want to see the uncensored version to see if anything interesting can be done with the material or if it is just bullshit. To be continued. P.S: There's still not enough of Anthony Hopkins' Jimmy out there.