3DD!3

A topic with great potential and excellent actors in the main roles. Outstanding camerawork and production design. But the end product flounders. The dad who wants to kill the three bastards that raped and killed his daughter doesn’t hesitate to pay big money for peace of mind. Understandably. Surprisingly, it’s like several key scenes that events seem to be heading toward are missing; it’s like they’ve been cut. In this respect, I don’t understand the director’s aim. A couple of lapses in logic remain, which seems to indicate that scenes were cut.  Ondruš has the technical know-how, but has to grow in terms of storytelling. However, for a Czech movie, this is absolutely awesome, on a level with overseas films.

A wonderful documentary that came out just as I was stopping watching MotoGP. Rossi’s era was slowly coming to a close and younger predators were vying for his position. Neale sums up the most important aspects, not forgetting to show behind the scenes friction (but still very tastefully cut) that occurred with the arrival of that lunatic Marquez. The central emotional gel is Sic’s death and respect for his legacy. Great shots and every accident hurts. Very nostalgic. Narrated by Tyler Durden, who tells of the metamorphosis of fire into speed.

In real life, the idea involving vacations would mean constructing a holiday resort in the Hundred Acre Wood, where the rich could go to escape the bustle of the city and take photos of talking plush toys. This is a bizarre film that my heart won’t allow me to give a bad review to. Winnie the Pooh is simply a nice bear and you find yourself crossing your fingers for McGregor to decide to give up on the big corporation and begin reading children’s stories to his daughter. Despite the fact that the plush toys are a little eerily threadbare, the story doesn’t make sense in places and it is rather depressing for a kids’ story, there must be something for everyone in this movie. As I read somewhere here, it’s a film with a small brain but a big heart.

Greyhound is a dynamically filmed adaptation of a book about escorting convoys of merchant ships across the Atlantic during the Second World War to territories that airplanes couldn't reach from the mainland. The sometimes nerve-racking maneuvers of giant steel ships are intensified by Neely’s background music with a spine-chilling whale motif. The mocking pack of Nazi wolves pitted against Christ – a real American – does not come across as ridiculously as you might think. Tom “Covid Survivor" Hanks again thoroughly relishes his role of a professional, logical captain, first doing what has to be done, then humbly leafing through the Bible, and then going to bed. Strong emphasis on detail, good length. The special effects were not consistently good.

Greg Rucka just reels off stories like this, one after the other. The Old Guard has excellent subject matter. The idea has potential, but the product doesn’t fully realize it. The action is fairly solid, but the music-video-style visuals are disappointing and the R&B soundtrack kills every other scene. Charlize looks great with an ax and, if they had focused more on the past, this could have turned out to be exceptionally good movie. As it stands, it is just a reasonably good TV movie that promises a more entertaining sequel.

I watched it half-heartedly between three screaming kids, but the scene in the toilet where the guard gets pissed on and then smashed against the sink and urinal with his access card really got to me.

Since the success of Aquaman, it’s been a roller coaster ride with Vince and the others. The studio going behind people’s backs, changes of agent and the quest for a role in Medellín give the story a good pace, keeping you biting your nails up to your elbow. The finale is luckily unbelievably positive. The prophet of good times ahead.

It's not bad, but it lacks the darkness and edginess that used to characterize Asterix. The superhero battle seasoned with a final duel in the style of Power Rangers was a bit too much.

The second season is great. In addition to hanging out, Vinny and his mated fuel a proper story directed by Jim Cameron. Everyone in the gang has something to say, and they address rises and falls.

Something between a folk fairy tale and a superhero movie. I like the fantasy choreography (Yuen Woo-Ping is a magician) and the overall naive optimism that radiates from this movie when the evil officials are left to burn to a cinder and the heroes then invite each other for a polite visit. I wonder if any of the cynical lines emerged only during the dubbing.