Seahorse

When Dana gets pregnant, before long she decides she does not want to keep the baby. Still, on the day the abortion is planned it turns out she can’t give up so fast. She delays, hesitates, looks at the picture of the embryo again and observes how the other women in the clinic deal with it very diversely: the one self-assured, the other panicky. Dana wants to experience everything very conscientiously – it is the only way for her to get through the day. (Nederlands Film Festival)