Goodfellas

Scorsese’s grand work about gangsters from a slightly different perspective than we are used to, for instance, in The Godfather. This isn’t about the top ranks of the Mafia, but simply about the pawns for whom this is a job like any other. Perfect acting performances and unforgettable dialogs are just the tip of the iceberg of this perfectly cut and faceted diamond. (24.08.2007)

A perfect portrait of the brutality and cruelty of people who assume the role of demigods who decide the life and death of others. De Niro, with his fluffy shoulders and swaggering gait, is flawless. Ray Liotta in the only role he can be proud of. Joe Pesci would successfully reprise the role of the murderous brute a few years later in Casino. A mafia saga that would be a big mistake not to watch. (13.04.2003)

It may not be the best film among gangster movies, but it is certainly a significant above-average. In comparison, for example, with the French film A Prophet, it lacks the feeling of absolute authenticity and, on the other hand, I feel a certain, albeit not big, effort to make the gangster environment more attractive, which is understandable for commercial reasons. Probably the most remarkable role by Ray Liotta, who later couldn't capitalize his talent as he probably imagined. The film depicts the arrival of an ambitious boy among the local gang and his gradual rise in the criminal environment, which eventually leads to his arrest and cooperation with the police. Scorsese is an experienced director and in these waters, he feels at home, and he relied on a number of top actors perfectly corresponding to the viewer's ideas about mafia bosses and their buddies. Robert De Niro and Joe Pesci already have a patent for similar roles. Overall impression: 90%. (11.03.2010)

Goodfellas is awesome, it exudes life experience and it is very likely one Martin Scorsese’s best film. Robert De Niro is excellent and Joe Pesci is truly unforgettable and deservedly received an Oscar. A masterpiece of world cinematography. (09.03.2004)

If Leone hadn't made Once Upon a Time in America and Coppola had never made The Godfather, this would definitely be the best gangster movie of all time. It is “only” the third best. I don’t like the ending much. I should be, well, different. (19.09.2007)