American Made

American Made is a funny, fast-paced and, thanks mainly to the excellent Tom Cruise, a really cool chill-out movie that does not try to be dramatic. Which surprises me, because had its satire been a little more piercing, it could have reached the heights of Martin Scorsese. (31.08.2017)

Wittily and engagingly written, fantastically edited and I just love Liman's fierce visual style. And also Tom Cruise, who at 56 looks like someone who could pick up a young girl on the spot :o) He's such a stud. (29.01.2018)

American Made is a very straightforward crime comedy without any major stumbling blocks and it makes no effort to face us with any difficult moral dilemmas. It conspicuously imitates the style of Scorsese’s films (pop songs, a narrator intervening in the story and determining what we see and how we see it, attention-grabbing camerawork and editing) and cashes in on the popularity of the TV series Narcos, so it comes across as unoriginal and predictable, but thanks to the smooth (albeit slightly mechanical) narrative and Cruise’s charisma, it is entertaining from start to finish. The position of the main protagonist is unusual (for a Hollywood movie), as he lets himself be dragged along by circumstances and merely accepts outside offers and follows orders dictated to him through almost the entire film. He can demonstrate his ingenuity only in the way he carries out deliveries of certain goods, not in what he actually does. It would almost be possible to interpret him as the embodiment of American pragmatism, the ability to adapt to the given situation and make the most of it for himself, but we know too much about him (compared to the other characters, who are really only types) to perceive him in such an impersonal way, and relatively strong emphasis is placed on the family storyline (which, however, the film handles much more carelessly than The Wolf of Wall Street, for example – you will probably care as little about the protagonist’s wife and children as you did for Barry). Of the films that “comfort” us with the fact that people may be bad, but their governments are worse (War Dogs, American Hustle), this one gets bonus points in my eyes for taking the procedural side of things into greater consideration and for not pretending to be anything better. It’s simply light summer macho entertainment that does everything possible to keep the viewer from getting bored for even a second and, unlike Atomic Blonde and The Hitman’s Bodyguard, it does that very well. 70% (23.08.2017)

Barry Seal is Tom Cruise's one man show. Totally. Actually, there's nothing here but Tom Cruise in a role that was tailor-made for him. As a likeable bastard who can work for three deadly organizations at the same time and still make a damn good living at it, he's downright brilliant. His Barry is an amoral bastard, but with such enormous charm that you'll be rooting for him even as he muddies the waters with Colombian cartel bosses, delivers weapons to Central American paramilitary organizations, and buries his money in suitcases in the backyard. Barry has style, and thanks to Doug Liman and his brisk direction, his adventures are quite watchable. And it's only at the end that you realise that it's actually playing it too safe, that Barry's sort of getting away with everything, lacking a significant antagonist, conflict or even problem, and that it's not actually very interesting. Cruise fans will probably enjoy it to the max, others will be treated to a stylish, broadly entertaining but more or less pointless film. (27.07.2018)

It's a pity that Cruise's best role in recent years doesn't come in a slightly better (understand: better written, built and with a dramatic point) film. American Made flies too smoothly. Especially in the first half, one almost prays for artificial turbulence. But Spinelli's screenplay is a flat track composed of repetitive episodes carried by Tom's charisma and a ready-to-use 80s vibe. Although Liman tries to decently direct the film, he doesn't pull out any extra drive with his 80s magical processes. Fortunately, Cruise enjoys his everyday crook, who generally doesn't ask too many questions, so that the viewer can enjoy him as well. American Made is a solid, but too long episode of Narcos. The film owes almost everything to the Netflix series, but unfortunately also can't cover its limits when it is compared to it. A serious historical topic is thus dismissed by a few shortcuts and jokes, which we know almost literally from Narcos. But the series managed to unexpectedly make a mark. Barry tries to do it in the end, but rather harmlessly. Why ****? Because Tom. So the 4th piece from pure fandom. (25.08.2017)

A worse feature episode of Narcos, made in a relaxed but inconsistently executed style of The Wolf of Wall Street or the Lord of War. So, it never finds its own path and so it crouches in the shadow of the above. What would help is a better-built storyline, some emotions and a better executed shift to more serious department at the end, but purely as 80s stylized relaxed biographical nonsense, it's not really bad at all and it's definitely fun. Take my word for it. Especially thanks to Cruise, who is a great fit to this comic conceived role of a passive macho dude. Partly because he doesn't try to stylize himself into the real Barry Seal and he just plays himself. (24.08.2017)

Clever and funny. This will stay around for a while. Cruise and Liman began to hit it off together on the Edge of Tomorrow and the chemistry continues in this free biography of smuggler, Barry Seal. Great comedy style, tongue-in-cheek to damning reminder of the insensitivity of the government. Perfect late 70s atmosphere, great music and two hours of good, honest fun. (02.09.2017)

After The Mummy, Tom Cruise apparently relaxed and enjoyed this 1980s summer romp perhaps even more than many viewers. It’s hard to deny that the premise is uninteresting, but the execution and especially the pacing are a challenge. It's a movie about a huckster pilot that basically flies on autopilot the whole time and everything is clearly lined up (and repetitive). There is no moment of surprise, no vivacity and no drive, you can anticipate the screenwriter's intentions three moves ahead. You still may get a taste of this summer ride, but it's not the experience of the year. The attempt to align itself with Scorsese's legends with its razor-sharp jokes and sarcastic undertones is there, but unfortunately often off-target. (02.09.2017)

A very likeable film from start to finish. You can cheer for the main hero, although he's not fully a good guy, it's thrilling and funny and it has a pleasant retro look and sound. I often thought of Gold with Mathew McConaughey, which, of course, had something extra and I liked even more, but I rarely thought of the much worse The Wolf of Wall Street. Tom Cruise shows us why he still belongs amongst the most sympathetic and best actors. (06.09.2017)

A modern Scorsese who is as easy to look at as an overstuffed wallet, but at the same time embodies the fact that nobody can tell a story as coherently as the legendary Marty. Barry Seal wants to deliver a very complex and balanced story, but ends up offering terribly little room for the supporting characters and brings nothing new to the game apart from some flashy work with self-aware editing and music. I enjoyed Cruise, the pace and the positive feeling, even if it didn't always quite fit with the events described, but after a while what has stuck in my mind are hilarious bits, not a hilarious film. A respectable 70%, if only for Sarah Wright's undeniable potential for the less accessible roles whose ideas she cheekily encourages. (05.12.2017)

A pretty enjoyable film starring a living testament to the effectiveness of American plastic surgery. These biographical films are often only barely scratched by reality, but then there’s also black humor, action and suspense, which is a combination that works for me. I've never been a huge Tom Cruise fan, but I must admit the role of Barry Seal was a perfect fit for him. Plus, I even got a good dose of 70s and 80s retro vibes, including the soundtrack, so I quite enjoyed the film. (31.01.2018)

Tom Cruise is showing us all that he is an entertaining actor and that he does what he does well. He chooses his films so as not to ruin his image, but I simply enjoy watching him, which is great. He’s lost none of his abilities, and this film is still so beautifully sarcastic that I simply had to be entertained. (18.12.2017)

A likeable genre film that doesn't overflow with the pomposity of The Wolf of Wall Street or the sophistication of Narcos (which of course, given the different format, it logically can't), but on the other hand, American Made doesn't even make any attempt at anything similar. It's still hugely entertaining, though, and even if American Made doesn't become a classic in the genre, I'll always love coming back to it. Because it fulfills the concept of the "feel good movie" to a tee, and Cruise is a walking advertisement for charisma even at nearly 60 years old. (08.12.2018)

I have nothing in principle against this one-man show with a well-acting Tom Cruise. The plot moves along quite well and there are a few moments that will really entertain the audience. But when I compare this movie to the Narcos series which is similar in terms of theme and storytelling style, it loses a little bit of its luster. I feel like Barry Seale's biographical story lacks verve. It simply could have been more suspenseful. (65%) (18.05.2022)