Caprica

(sarja)
Kanada / Yhdysvallat, (2009–2010), 13 h 57 min (Pituus: 43–92 min)

Sävellys:

Bear McCreary

Näyttelijät:

Eric Stoltz, Esai Morales, Paula Malcomson, Alessandra Torresani, Magda Apanowicz, Brian Markinson, Genevieve Buechner, Polly Walker, Panou (lisää)
(lisää ammatteja)

Jaksot(18)

Juonikuvaukset(1)

Taisteluplaneetta Galactican legenda jatkuu tässä mukaansatempaavassa tarinassa, jossa palataan ihmisten ja Cylonien konfiktin alkulähteille, oman maailmamme kaltaiseen Capricaan. 58 vuotta ennen taisteluplaneettaa kaksi vahvaa perhettä, Graystonet ja Adamat, havaitsee kohtalonsa kietoutuvan yhteen. Kaikilla on vaikeuksia erottaa missä ihmisyys loppuu ja tekoäly – Cylonien rotu – alkaa, ja samalla he taistelevat vastakkain yritysmaailman salaliittojen, murhan ja perheskandaalien varjossa. (Universal Sony Pictures HE Fin.)

(lisää)

Käyttäjän novoten tähän sarjaan liittyvät arvostelut (2)

Caprica (2009) 

englanti Incredibly intoxicating. The meeting of genuine godfathers from Tauron with the higher social class of Caprica is full of emotions, twists, losses, and a Cylon atmosphere at every step. And thought-out, believable, and full of main characters. The best side aspects were initially the Soldiers of One (led by the fabulous Barnabas, played perfectly by James Marsters) and the complex New Cap City, where everyone would want to spend at least one afternoon. Over time, however, the most complex hero of the series, Daniel Graystone, definitively took the lead. In the end, even the originally highly indigestible sister Clarice gained her solid role, and her intrigues became an attractive link to the storyline. That is why it is a huge pity that we couldn't see more. The five-minute finale closes and at the same time hints at a lot. One season was missing for a perfect connection with BSG. ()

Pilot (2009) (E01) 

englanti New atmosphere of the old world. As soon as the story began to unfold on tracks lined with robotics and also intertwined with honest drama, I successfully slipped back to where the last episode of Battlestar involuntarily took me. Into the lives of living characters, whose destinies I want to see in as much detail and for as long as possible. A very urgent dramatic arc, supported by an increasingly psychological-futuristic hologram, elevates it to an unforgettable, as expected, Bear McCreary. Although his intoxicating drums are rare, since there will still be plenty of time for battles with the Cylons, the beautifully interwoven core of relationships provides more than enough space. The path to the destruction of civilization has never been so promising and tempting. ()