Ohjaus:
David SchwimmerKuvaus:
Andrzej SekulaSävellys:
Nathan LarsonNäyttelijät:
Clive Owen, Catherine Keener, Liana Liberato, Jason Clarke, Viola Davis, Noah Emmerich, Zoe Levin, Gordon Michaels, Brandon Molale, Ron Causey (lisää)Suoratoistopalvelut (1)
Juonikuvaukset(1)
Annie (Liana Liberato) on 14-vuotias koulutyttö. Hänellä on ystäviä, hyvä suhde vanhempiinsa ja sisaruksiinsa. Koulu sujuu hyvin, samoin lentopalloharrastus.
Lentopalloilijoiden nettifoorumissa Annie tutustuu toisessa kaupungissa asuvaan, pari vuotta vanhempaan, Charlieen (Chris Henry Coffin). Nuoret ystävystyvät ja ihastuvat. He ovat yhteydessä lähes päivittäin, vaihtavat kuvia ja kuulumisia. Annien vanhemmat tietävät suhteesta, siinä ei ole mitään ihmeellistä tai huolestuttavaa. Kunnes...
Charlie kertoo opiskelevansa yliopistossa. Sitten hän myöntää olevansa täysi-ikäinen. Lopulta hän tunnustaa olevansa 25-vuotias. Annie huolestuu, mutta luottaa ystäväänsä.
Kaikki muuttuu, kun nuoret päättävät tavata. Päätöksellä on kauaskantoiset seuraukset Annien elämälle – ja hänen koko perheelleen.
(Future film)
Videot (2)
Arvostelut (3)
That’s what happens when someone is a stupid cow. The actors are good, there is also some sort of message, but after the first half hour, when I still had a glimmer of hope that this would be a thriller, Trust was no longer fun.
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Trust is praiseworthy in that it conveys a message not only to parents, but also to naïve teenagers. David Schwimmer is certainly a sensitive and caring dad. The film slowly becomes more about the dad coming to terms with his daughter’s abuse than about her suffering because of the abuse (which she doesn’t understand as abuse, but as being made love to by a guy who loves her). The emotions of the situations that all involved go through are believable, there is nothing superfluous or lacking in the film, and Schwimmer is clearly in his element. However, none of that changes the fact that Trust is an easily forgettable film with boring TV visuals.
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I’ve been wondering how to actually approach the naivety (and whether it was naivety at all) and the main character's behavior. The question of whether a 14-year-old girl is capable of discerning "right and wrong" and thinking deeply about the consequences of her actions can be quite tricky. David Schwimmer is a distinctive director who gives a lot of space to Clive Owen, who delivers one of his better acting performances (the ending is really beautifully moving, almost without pathos) and manages to capture Annie's psyche in the wake of that act in a fairly complex way. I don't know what exactly I would have liked to have seen different in this film, but some things felt a little underdeveloped, which ultimately brought the overall impression down to the waters of slightly above average. In any case, David Schwimmer is undoubtedly a talented personage as a director. I will be very happy to watch his next film.
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