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gudaulin 

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englanti Rather than being really good, Matějovský's Solitaire is interesting. It is an attempt at an absurd drama of a closed community caught in a trap with no escape, where the actors are gradually killed by despair and cabin fever. It is also remarkable for its top-notch cast and corresponding performances. However, what brings it down is the artificiality of the situation and, above all, Hubač's script, which rushes the moods and reactions of those involved and definitely doesn't take advantage of the potential that this model situation offers. The most interesting character is probably Rudolf Hrušínský, who demonstrates how a guide can quickly become a guard and manipulator. His performance would be a highlight of any psycho horror and reminds one of Mr. Kopfrkingl from Herz's The Cremator, who also transformed into a monster under the pressure of circumstances. It didn't take much for him to achieve it, and fear can be seen in Hrušínský's eyes and posture. The black and white camera and stone walls create a feeling of gloomy atmosphere that dampens any positive emotions. But I must repeat, overall I got the feeling of a certain incompleteness, and although this wouldn't be bad as a theater performance, I expect a little more from a TV movie. Overall impression: 60%. ()

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