Juonikuvaukset(1)

When an idealistic architect (Franco Nero) stands up for his beliefs when he thinks a large-scale project is endangering the local populace, he is falsely charged with crimes and thrown in jail. As he gets run through the brutal prison system while trying to find legal recourse, his moral stance is challenged by his fellow inmates, the prison guards, corrupt officials, and the oppressive environment from which he seemingly can find no escape. Soundtrack by Ennio Morricone. (Cinemax)

(lisää)

Arvostelut (2)

Lima 

kaikki käyttäjän arvostelut

englanti The Italians never had a problem shooting into their own ranks. During the previous regime, Italian political and crime thrillers were widely shown in cinemas and television, because they were said to hold up a mirror to the rotten capitalist establishment (which the TV presenter never failed to point out before each screening). Among them stood out the works of Damiano Damiani, whose Confessions of a Police Captain and this film in particular, full of murders, corruption, organized crime and mafia plots, is one of the best crafted. The fingers of both hands might not be enough to count the number of screenings on the then 2nd programme of Czechoslovak Television :o) ()

gudaulin 

kaikki käyttäjän arvostelut

englanti With Franco Nero's filmography, it's like riding a roller coaster. A charismatic and talented actor of his caliber theoretically could choose, but Nero took everything that came his way, and not just at the beginning of his career. However, collaboration with Damiani is one of those projects that he can be proud of in retrospect. This prison drama about a visitor from a different social "universe" who is faced with a serious moral dilemma - to help a fellow prisoner and bring revenge upon himself by members of organized crime, or to be a coward and quickly return unscathed to the safety of an exclusive upper-middle-class position - still holds up several decades later and is better than the series of quick-paced genre films made for effect. Perhaps only the level of naivety of the architect, who has an irresistible ability to act like an elephant in a china shop in crucial moments, is somewhat higher than appropriate. That fact costs the film one star. Overall impression: 85%. ()