Juonikuvaukset(1)

The COVID-19 pandemic arranged for a great number of absurd or poetic situations in the Czech Republic. The directorial duo of Vít Klusák and Marika Pecháčková mapped some of these moments in their documentary. The heroes of their film represent different segments of our society as well as different views and approaches towards the given problem. A black-and-white insight into the minds of Czech people revives our recent harsh experience. (Summer Film School)

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Arvostelut (1)

Marigold 

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englanti The film I had been waiting for since the Nošovice infestation. The Big Nothing is a focused, insightful observational documentary in which the directors don’t elbow their way in front of the camera, needlessly manipulate or artificially stage problems, but instead look for the strange logic of a time when the traditional chain of cause and effect ceased to apply. The film contains empathy and understanding, subtle irony and an attempt to identify the ways in which COVID-19 changed everything and, conversely, the ways in which it changed nothing. I have minor reservations with respect to the the dramaturgy, as the film could perhaps have been a few minutes shorter and could have relied less on the opera/masks at the end (which is a predictable step), but it kept me on my guard the whole time and strongly evoked a sense of the timelessness and disjointedness of existence. Furthermore, I appreciate the fact that Peterková is not another Daliborek. The Big Nothing is indisputably a candidate for Czech film of the year. All power to Vachek! ()